dimanche 21 novembre 2010

Expo - Toronto

ROM
29 octobre 2010
The Warrior Emperor and China's Terracotta Army
In 1974, farmers in northern China accidentally unearthed fragments of a terracotta figure - the first evidence of what would turn out to be one of the greatest archaeological finds in history. The terracotta army pits of the Warrior Emperor Ying Zheng.
The Warrior Emperor and China's Terracotta Army premieres at the ROM and runs until January 2, 2011. The exhibition showcases artifacts from the tomb complex of China's First Emperor - the largest tomb complex in China, and possibly the world.
Buried 2,200 years ago in what is now China's northern Shaanxi province, the First Emperor surrounded himself with nearly 8,000 full sized terracotta warriors and horses in magnificent military formations, along with many other artifacts, in preparation for the afterlife. The warriors are often referenced as the eighth wonder of the world and in 1987 the site was added to the official list of World Heritage Sites by the United Nations Educational, Scientific and Cultural Organization (UNESCO). 
Created by the ROM with our partners in China, The Warrior Emperor and China's Terracotta Army features the largest collection of artifacts related to the warrior emperor ever displayed in North America, alongside 10 life-sized terracotta figures from the pits of the First Emperor's Terracotta Army. Tracing key moments in history before, during and after the lifetime of Ying Zheng, the ROM is showcasing over 250 artifacts from the first millennium BC, on loan from more than a dozen archaeological institutes and museums in Shaanxi Province. Nearly a third of the artifacts on display have never been shown outside of China, and some have never been publicly displayed anywhere, making the ROM's exhibition a landmark event.
Highlighting the life, times, and afterlife of the First Emperor of the Qin dynasty, as well as the terracotta soldiers produced during his lifetime, the exhibition explores the figures in a broad historical and social context. Visitors will learn about China’s rich history during these periods and about the political and social transitions, including the dramatic change from war to peace, that took place during various dynasties.

AGO
21 novembre 2010
Maharaja
This fall, the Art Gallery of Ontario unveils an extraordinary exhibition that explores in depth the opulent world of the maharajas, from the beginning of the eighteenth century to the mid-twentieth century. Maharaja: The Splendour of India’s Royal Courts brings to Canada for the first time more than 200 spectacular works of art created for India’s great kings — including paintings, furniture, decorative arts and jewellery. These magnificent objects chronicle the many aspects of royal life and celebrate a legacy of cultural patronage by generations of maharajas, both in India and in Europe
http://www.rom.on.ca/terracottaarmy/en/exhibition/

Henry Moore
The Art Gallery of Ontario is known internationally for its extraordinary and extensive collection of Henry Moore works. The Henry Moore Sculpture Centre at the AGO originally opened in 1974, to house Moore's original gift to the AGO, now totalling more than 900 sculptures and works on paper.
Visitors can now view Moore's plaster and bronze maquettes, and the stones and bones that inspired him. They can listen to Moore explaining why he became a sculptor and how bronzes are made from plaster, and hear exactly how Toronto's Mayor Givens lost an election over Moore's sculpture, The Archer. Also available is rare archival footage directing the installation of the centre in 1974, and of the arrival, crane and all, of Moore's eight-ton Large Two Forms, now a city landmark at our northeast corner. Organized into different self-contained stations, the centre engages the visitor in a variety of interactive activities.
Henry Moore has always been an important artist for the city of Toronto. In 1958, Finnish architect Viljo Revell won an international competition to design Toronto's City Hall. Revell admired the work of Moore and recommended that the city purchase one of his bronze sculptures for the new building. A controversy over cost erupted, and the sculpture, The Archer, became the most talked about work of art in the history of the city.
http://www.ago.net/henry-moore-sculpture-centre

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